Specialising in the finest works available for the Singer
Books by Herbert Caesari
The Voice of the Mind
“This is the most completely informative and best written book on the subject we have read. The author deals exhaustively with facts and indicates the lines upon which a good voice should be developed.
The Alchemy of Voice
The author aims to assist the student of singing in his quest for what is called “Production” – an inelegant and inadequate term to convey the most beautiful component of any art: a perfect technique.
E. Herbert-Caesari Audio CD
Open your mind to the greatest teaching of singing the world has ever known. This is without doubt the greatest and most comprehensive work on the art of singing.
YOUR VOICE DESERVES THE BEST!
Many contemporary singers have been schooled using the books written by Herbert Caesari.
Recommended by leading schools of music as the best books on singing available today.
LEARN THE SECRETS
Learn the secrets and techniques used by some of todays greatest performers.
ALWAYS IN PRINT
We are the sole supplier of these sought after editions. By popular demand we keep Herbert Caesari's books in print.
- Portuguese Music For Piano Duo October 11, 2021What varied and interesting piano duet repertoire we have here! The Melodias rüsticas portuguesas by Fernando Lopes-Garcia (1906-1994) transform catchy folk melodies into charming miniatures full of subtle dissonant jabs and attractive modal harmony. The three-movement Sonatina by Sérgio Azvedo (born 1968) evokes Poulenc’s caustic wit and Milhaud’s busy counterpoint, and seems as fun to […]
- Big Boxes: Orpheus Would Have Loved DG’s Orpheus Complete Recordings October 11, 2021This 55-CD box containing the Orpheus Chamber Orchestra’s complete recordings for Deutsche Grammophon leaves me with mixed emotions. Musically it is absolutely stupendous. Orpheus is without question one of the world’s great ensembles. There is practically nothing here that isn’t recommendable, and much that’s of reference quality. You’d be hard pressed to find a set […]
- Thielemann Blows Bruckner’s Fourth October 10, 2021This is an easy call. Thielemann’s conducting is mannered, boring, and utterly predictable, with annoying “expressive” pauses at the ends of lyrical phrases, yielding a “stop and go” syntax that leaves no room for the music’s larger architectural shape. After all, Bruckner is already “stop and go,” and he needs no help in that respect. […]