Specialising in the finest works available for the Singer
Books by Herbert Caesari
The Voice of the Mind
“This is the most completely informative and best written book on the subject we have read. The author deals exhaustively with facts and indicates the lines upon which a good voice should be developed.
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The Alchemy of Voice
The author aims to assist the student of singing in his quest for what is called “Production” – an inelegant and inadequate term to convey the most beautiful component of any art: a perfect technique.
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Tradition and Gigli
The model on which investigation was chiefly based was the completely natural voice – the meaning, significance, and functioning of which is fully explained.
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E. Herbert-Caesari Audio CD
Open your mind to the greatest teaching of singing the world has ever known. This is without doubt the greatest and most comprehensive work on the art of singing.
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E. Herbert Caesari
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The Voice of the Mind
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The Alchemy of Voice
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Tradition and Gigli
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Caesari Audio CD
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Alma Caesari
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YOUR VOICE DESERVES THE BEST!
Many contemporary singers have been schooled using the books written by Herbert Caesari.
HIGHLY RECOMMENDED
Recommended by leading schools of music as the best books on singing available today.
LEARN THE SECRETS
Learn the secrets and techniques used by some of todays greatest performers.
ALWAYS IN PRINT
We are the sole supplier of these sought after editions. By popular demand we keep Herbert Caesari's books in print.
Classics in the News
- Handel’s Sumptuous Organ Banquet February 2, 2026Since Handel wrote relatively little solo organ music, David Yearsley has decided to make amends by brilliantly and stylishly appropriating selections from the composer’s vocal and chamber output for the organ. The result is Handel’s Organ Banquet, a well-balanced and varied program that not only showcases the colorful Cornell Baroque Organ but also Yearsley’s brilliant […]
- Stupendous Handel From Franco Fagioli February 1, 2026I have finally figured out that like anchovies, you can’t convince people to like the countertenor voice if they don’t “get” it. Their infantile squeamishness no longer interests me; nor do their excuses–“it just doesn’t sound natural.” Birgit Nilsson sounds “natural”? Joan Sutherland sounds “natural”? Even the great tenors–Pavarotti, for example, singing an octave above […]
- Haydn and Mozart by Handel and Haydn February 1, 2026In his booklet note for this release. Harry Christophers spouts the usual nonsense about “stripping away the cobwebs” from this music using period instruments, blah, blah, blah, and frankly I couldn’t be more sick of it. The music has never needed “stripping,” to make is sound “anew,” and to equate “difference” with “newness” is just […]